Thursday, September 29, 2011

The Early History of 207 Commerce

Prairie Oak Artisans gallery is housed in a part-frame and part-stone front building at 207 Commerce Street in Mineral Point, Wisconsin. This building is part of a body of historic buildings that survive in Mineral Point. Old buildings carry with them the story of an interesting past and connections to other stories in history. When and why they were built, by whom, how they have survived these many years is a story worthy of telling and retelling. These historical buildings promise a future of fascinating stories only if they are preserved and cared for so that others can experience their beauty and charm and learn about them.
Key to the preservation of old buildings is finding uses for them that make them valuable enough to justify the cost of preservation yet at the same time do not require so many changes as to erase the history. A nature themed art gallery is one possible use for such an historic treasure. Part of the responsibility of owning such an historical building is seeing to it that the history that remains, remains. Thus, sometimes, the gallery can be a little darker than optimal and the walls and floor can be less than ideal backdrops for art, but preserving them is worth the compromise.
When John Falls O'Neill, a real prince from Ireland, where ruins of the family castle remain, came to Mineral Point, it was not even a town. He went touring the area with the British Army as a clerk, and met a young woman in St. Louis that he asked to marry him. Mary Ann Sublette was from a large family of brothers and cousins, some of whom went on to achieve fame in exploration of the west. The O'Neill came to the area that is now Mineral Point to open a general store for the lead prospectors that were already in the area.
O'Neill and his wife built their frame store and home in 1829 so that it was between the road and the creek. There was no town yet and the area had not yet been surveyed. The survey in 1836 resulted in the O'Neil home and store building straddling the line between two lots, so O'Neill purchased them both. Shortly after, he had Cornish stonemasons build the stone portion to span between the original frame building and the lot line. An 1838 newspaper advertisement tells us that a general store was operating out of a stone storefront, so the 'addition' was complete by then.
The shop level faces Commerce Street, and is where O'Neill bought the lead mineral and sold assorted household staples and mining necessities. The "Old Stand", as a general merchant's store was called then, provided needed goods to both the miners and later to the soldier of the fort that was built across the street. They would have offered such goods as flour, sugar, corn and oat meal, spices, coffee, and beer, as well as tools, clothing, socks, cups, bowls, canvas fabric and other supplies and goods to the transient lead miners. As the settlement became a town and grew, offerings in the "Old Stand" would have been adjusted to accommodate the demand. Also offered at various times were various services. One such was sawmilling. O'Neill engaged in the purchase of the raw lead that was being found in the surrounding hills of the driftless region, which he melted down to purify it and formed into ingots for sale at a profit.
The shopkeepers and their families resided in the lower level that opens to the rear to gardens and the stream. This level was finished off in back just like a residential street front, with doors and windows of these and other shop owners facing the creek. The little strips of land between the buildings and the creek would have been considered the 'front yards' to the homes as well as serving as work courtyards. Spring through fall, the family members likely did a good deal of their work outdoors in the fenced yards, such as laundry and even cooking. In the early years, the town had no law and was probably a rather rowdy place, so the women and children probably did all their work in the downstairs level and never set foot in the shop level, and they probably did all their visiting on the rear 'residential street' that is the alley now.
The top level was rented out to others as short term living space and had a separate entrance in the wooden front. Because the lower level had a constant temperature of around 55 degrees with bedrock as walls and as parts of the floor, it would have been cool in summer and naturally warmer than the outdoors in winter, so would have been considered a much better place to live than the drafty top level upstairs.
The front of the building had one door to the store level and another to the upstairs until the 1980's renovation by Jennifer and John Sharp. Their renovation preserved the best of what remained of the history and made major structural restorations that stabilized the building to ensure its continue survival. They used the "Old Stand" level as studio and gallery for Jennifer's water colors and John's wood carving. Merriam Nessett finished the upper level as living space in the late 1990's, and ran an antique and decorating store in the street level gallery.
The oldest standing commercial building in Mineral Point, 207 Commerce is features hand hewn posts and beams in the timber section and limestone walls in the stone section, and mortise and tennon joints and pegged joints can be seen in the walls. The original floors show where the room partitions were, where the heating stoves were, and even show axe marks where firewood for the fires was split and burn marks where coals popped out of the stove and burned pits in the wood. The original oak ceiling joists are exposed in the gallery level showing saw kerfs that reveal that they were 'pit sawn', though such sawing in the area was usually done with above ground frameworks rather than below ground pits due to the proximity of bedrock to the surface. There are remnants of original plaster on the wall that show the first soft gritty thick yellowy layer that was reinforced with horse hair, and the thin hard white or grey surface layer. The attic retains much of the original wood, including a less-than-perfectly-straight ridge beam made of a minimally processed log. The basement has support posts that have also been minimally processed and retain some of their bark. A section of accordion lath that would have formed the structure for plaster on interior walls was rescued from the trash by a neighbor and is on display in the basement stairway.
The street level of the building now serves as gallery space to Prairie Oak Artisans and as my studio space. The upstairs is living space, and the basement is utility and storage. The front and rear gardens feature prairie plants that remind us of what was on the land when Native Americans were the only inhabitants and bison still roamed.
When you are in Mineral Point to shop, feel free to ask questions about the building and its history, and if you want more of a detailed tour before or after hours, call 630-728-9998 to arrange for an appointment. Living and working inside an antique has its challenges, but also its rewards, and I'd love to share them with you!

Wednesday, October 27, 2010

Fall Art Tour 2010

Fall Art Tour happens on the third weekend of October each year in the Mineral Point area. While not actually on the tour map, I am surrounded by those who are and so I demonstrate one of my media on that day. This year again, I was felting. Working with images from my nature photographs, I pre-make the wet-felted background mats during the week prior, and then during the event, add details and foreground images to the mats with needle felting. Felting needles have fine notches along their edges that grab the fibers of the yarns or wool fleece and push them into the felted mat to hold them onto it. This process builds up an artwork image much like layers of oil painting are built up. The finished images are about 9 inches by about 13 inches and are available as is for your own framing or in a shadowbox frame. Both works need some finishing touches such as squaring up the edges, but these are my results for FAT 2010.
During the event, I also made a felted vessel by wrapping roving around a children's play ball and wet felting it. This forms a hollow vessel of felted fiber. This yellow-orange and rust vessel is about 8 inches wide and about 7 inches tall.
The felted oak leaves will be $380 unframed or $420 framed plus $25 shipping. The trilliums will be $420 unframed or $460 framed, plus $25 shipping. The vessel is $85 plus $5 shipping. Call 630-728-9998 or email. Other vessels and felted pictures are available.

Wednesday, September 29, 2010

Natural Wool Scarves



While at the Fibre Art Faire, I worked up a few scarves using Icelandic wool roving from a local fiber processor, the Argyle Fiber Mill, in Argyle, Wisconsin. These scarves, like my vibrant colored ones, use about an ounce of wool, so are light and airy to wear. The wool is not dyed but rather the natural color of the sheep, so the scarves have gorgeous muted tones of ivory, browns, and grays. Never having been dyed means the wool fibers have not been damaged by the chemicals in the dyes and are very soft and smooth. These scarves have a luxurious feel that makes you feel pampered and special when you wear them.

Sunday, September 19, 2010

Septermber 25 and 26, 2010

Next weekend, La Bella Vita yarn and fiber shop will be hosting a Fibre Arts Faire, and I will be there demonstrating felting. I will be demonstrating live at the show at 109 Commerce, which is block downhill from my gallery, while friendly helpers run the shop! These are examples of the felt scarves I will be making at the show.

Felted Vessels



A pair of felted vases I made last summer.


Saturday, September 18, 2010

Woodburned and Painted Boxes

My friend Susie does amazing folk art painting and I hope to have her work at the gallery SOON. One of my favorite things that she does is these heart shapes that have bold geometric bands of black and white and assorted vines and berries. She woodburns the designs first, then paints them. I have had these wood boxes stashed for a while, and Susie's art inspired me to do some woodburning and painting of my own. Instead of opaque paints, I used calligraphy ink so that the wood grain shows through. They are lightly varnished to protect the artwork.

Friday, September 17, 2010

Cooler Weather Ahead

The dropping temps remind me to tell you about these sweet fingerless mittens that Jenny Lund makes. They are great for dog walking and driving. You can curl your fingers up inside for more warmth or when you need, you can fold their ends up to have freer use of your fingers.

Tuesday, September 14, 2010

Fragrant Soap

Prairie Oak Artisan first rented space from a dentist, where we carried fragrant soaps to hide the medicinal smells of our landlord. Now that we have our own lovely building, we would not need fragrance in the shop, but we have a few regular customers who ask for it. And it is nice to walk into a space that smells nice!
But I have not had the best of luck with soap vendors. One quit selling soap to specialize in soap making supplies and others have become too successful selling it themselves to deal with small orders from others. When our family was visiting our oldest son at college, we went to the Tucson Farmers' Market where we found this vendor, who agreed to ship to me. He even came up with a special wrapping for us! My favorite is Lemongrass, but now that it is fall, the Pumpkin Spice is appealing to me.

Sunday, September 12, 2010

Wooden Postcards

These wooden postcards are sized to mail and sturdy enough to make the trip. Computer printed and hand embellished, they are made of paper-backed wood veneer, and each is one of a kind.

Wednesday, September 1, 2010

Pewter

Thomas and Patricia Hooper specialize in pewter for Revolutionary and Civil War re-enactors, and also tour at select art shows. I had purchased some of their beautiful candlesticks and a lovely vase, then asked them to make me a mug that would be appropriate for use at the pre-civil War 1840's farm where I give prairie tours. So when I opened the gallery in an 1820's/1830's building, it seemed a natural to carry some reproduction pewter by the Hoopers.

Wednesday, July 7, 2010

A Private Class

Over the holiday weekend, I taught a little private class. We made earrings that I call Tie One On. They are made by tying beads onto French ear wires with waxed linen or fine leather cord or hemp cord or embroidery floss. They are easier to make than beaded earrings with wires holding the parts together and they require no pricey tools. If you want me to do a class for you, just let me know. I prefer 6 students, but make exceptions. I will travel to meet you or we can hold the class at the gallery in Mineral Point. I can teach you how to do most anything that I make myself that I have posted here.
I have taught indoors and out, at art schools and festivals, at an historic farm museum, for park districts, for garden clubs, for one individual at a time and up to groups of 15. Let's talk about what I can teach to you or your group. Everyone always has a wonderful time!

Handmade Blown Glass

Glass artist Nate brought a few new pieces in and they are lovely as usual! Nate's glass has swirls and free form shapes that give it motion and flow. Many have an interior color that is different from the exterior, while some are transparent. My favorite is the collaboration with Chris Hubbard, Prairie Oak Artisan's blacksmith.

Tuesday, July 6, 2010

Recycled Licence Plates

New artists to the gallery: Cathy and Pete are making signs out of recycled licence plates. I will have a few in stock at the gallery soon, but for now, you can order any saying you want for $10 a letter, including 2 blank ends for finishing and the spaces. So Born 2 Garden would be $150. It takes about 2 weeks from when you let me know what you want to when the sign arrives at your door by UPS or USPS. You can order any short quote or saying or inspirational words or you can order your kids' names for their rooms or the name of your favorite sports team or band.
I got this one for myself. I am going to order "GOOD KARMA". It's a fun environmentally friendly way to express yourself!

Thursday, July 1, 2010

New Felted Scarves

Sometimes the drive to play with materials leads to a new product and this is one of them. I finally made it to Esther's Place, an amazing felt studio in Big Rock, Illinois, where Natasha Leherer teaches classes and workshops in a wide array of felting techniques and sells some amazing products. She has yarns for local producers, from bison to alpaca, and one of her most fabulous products is roving from her own sheep that she herself hand dyes. The colors are just beautiful. I purchased a palette of colors to use in my felted landscapes and florals, and then got the itch to make something right away. I had watched her teach a class on nuno felting where thin layers of fleece pulled from the roving are laid down onto silk chiffon scarves, but having no scarves at hand, I tried making a scarf from just the fleece, with my own floral designs. What you see here is from my first batch, made on the bathroom countertop at the lake house.

Paintings and Fiber Art by Sheri Lee Butler

Sheri Lee Butler has new fun paintings in the gallery. Vibrant colors and textures that make you want to go up close for a better look make these pieces a delight. Her fiber art features female figures ornamented for a celebration of life. They are made of wool and other fibers felted and tied and sewn onto art canvases and ready to hang on your living room, family room, bedroom, or office wall.

Checkered Animals Paintings by Sheri Lee Butler

Sheri Lee's whimsical series of animals in checkerboard patterns are delightful and fun. Choose one of these or ask her do the animal profile of your choice as a custom order. This is the fun side of Sheri's often serious work.

Wednesday, March 3, 2010

Slow Printing?

I've been thinking about the rust stains on the window sill. The ones from where I stood the metal stand for the glass flower vases and later discovered the four little squarish rust stains from the stand's feet.

What if one made a 'printing block' of metal objects, prerusted to get the process going, and stood it on wet paper? How long would it take for enough rust to accumulate to make an image? Would a single wetting of the paper be enough or would the paper need to be redampened? How consistent would the image be from print to print?

Now, to find a source of small rusty metal object to make into an image, and then, to design a meaningful image from them . . .

Update: I found 16 guage steel wire and a 8" x 8" white scrubbing pad and finer wire to wire the thicker wire on. Now to design something . . . maybe a tree? . . . and wire it on and give this idea a go!

Friday, February 26, 2010

Three Trillium - Nine

This print is the result of an argument with a customer. I had a felted trillium in the gallery for over a year, and a man came in and told me he had seen it last time he was in town and wanted to purchase the picture with the three trillium in it. I showed him the felted picture of the single trillium, the only felted trillium I had ever done, and he argued, saying it had three flowers in the picture. Well, how do you respond to something like that? I am sure he left thinking I had sold 'his' picture and was trying unload this one on him. Fortunately to my ego, another customer called a week later and had me mail it to him as a surprise for his wife's birthday. But that set me on a mission to find a nice composition of three trillium on my walks, and photograph the bejeebers out of it, so that I would have photos to work with so that I COULD felt a picture with three trillium. Okay, I never did get that felt done, but here is a linoleum block print of them. I call it Nine.

Oak Tree Block Print

The branching pattern of the wide spreading burr oak is very different depending on where it grows. In a moist prairie, the tree grows taller and can be more open at the bottom, and in a drier prairie, the tree can be wider and shorter and have branches almost to the ground. The tree is often struck by lightening and then just keeps on growing, filling back in around the damage. The leaves can vary from tree to tree and the amount of 'burr' covering the acorn can vary as well. Here are the first few off the block hanging to dry.

Thursday, February 25, 2010

Etsy shop

You can email me to inquire about purchasing any art you see, mine or that by other artists. And I have a few specific items listed on Etsy at www.etsy.com/shop/prairieoak

Saturday, December 5, 2009

Silk Chiffon Scarves

My new scarves are sheer silk chiffon. Lighter and airier than the haboti silk I have used before. Sort of a retro look about some of them. Fun to be painting on silk again!










Thursday, July 2, 2009

Some Fun Customers

Reasons I liked them: When I opened my front door to put out my Open sign and my flags, they were waiting. Nothing like waiting customers to make the shopkeep feel valued! They drove a Jeep Wrangler, just like me, though mine is much older and red. Their license plate indicated they were fans of sunflowers and I have a series of sunflower photographs. They are landscapers and I am a landscape designer. They were power shopping for things for their own yard before they took off for the rest of Father's Day doing some relaxing sightseeing. And they bought a birdbath and two kinds of birdhouses and few other things. And they said nice things about many of my artists. And that, the last, may have been what endeared them to me the most, because the thing I love most about Prairie Oak Artisans is the group of talented artists that I get to know and with whose work I surround myself every day at the gallery.

Friday, June 12, 2009

Karma's Leather Flower Pins

Karma's leather flower pins are hand made one at a time from real leather. Some of the leather is scraps from upholstery industry, some is leftover from Karma's bookbinding projects that require that rectangular pieces be cut out of irregularly shaped hides, and others is purchased specifically for the flowers to certain colors or textures. Wear these pins on a lapel of a coat or jacket, the collar of a blouse, on the strap or body of a purse, handbag, or briefcase, on a headband, or on an elastic band ponytail holder. Can you think of anywhere else to wear these beautiful leather flowers?

Friday, March 27, 2009

Wood Strip Canoes by Randy Pfeifer

These canoes are custom made of cedar wood strips bent around a form. The artist glues each strip on individually, using no staples or ties, resulting in a perfect flawless exterior. The wood is covered inside and out with fiberglass and epoxy to render it water-tight and lake- and river-worthy. Gunwale design, seat design, deck design and other details can be individualized, and a number of shapes and sizes are available. Custom inlay work can decorate the sides of the boats, and dark and light strips allow design elements to grace the hull of the canoe. These boats will turn heads, whether on the car roof-top carrier, in the water, or hanging from the ceiling of your home. They are beautiful.

Felted Flower Pins - Karma Grotelueschen

The parts of these pins are hand felted from wool fleede using traditional wet felting. Then the parts are assembled using contemporary needle felting. This is the process used by the artist to construct her felted landscape and floral paintings.

Tied In Knots Earring - Karma Grotelueschen

Waxed linen cords ties these beads into swingy earrings.